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Featuring different Tullio’s work, including his double-portrait reliefs, this book aims to introduce the romantic qualities and craftsmanship of the sculptor and his closest followers, including his brother Antonio Lombardo, Simone Bianco, Antonio Minello, and Giammaria Mosca. Essays intend to examine Tullio’s innovations and the Venetian cultural setting where he developed them in dialogue with the northern Italian masters of Renaissance painting. Twelve works, selected from this milieu, exemplify the creative approach and influence of Tullio and the Lombardo workshop.