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‘The Disabled Body in Contemporary Art’ is a book that cross the disciplines of art history and disability studies. Millett-Gallant visually analyzes images of the body in visual culture – from painting, sculpture, photography, and performance art to medical displays to the nineteenth and twentieth-century freak show – placing the work of disabled and non-disabled artists in critical dialogue. Pursuing the agenda of disability studies, this book examines western art history and draws parallels to sexism, racism, classism, and heterosexism/homophobia.