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A master of modern European cinema and a key figure in the Italian neo-realist movement, ‘Roberto Rossellini’ had one of the longest and most varied careers of major directors. From Rome Open City and Pais, through the ‘Bergman’ classics Stromboli and Journey to Italy and his later work for television, Rossellini’s work and ideas had a profound influence on filmmaking and criticism. This critique of Rossellini’s work examines key issues and themes covering all phases of his career. Leading international critics examine, among other issues, the Fascist context of his early work, the view of Europe that emerges in his films, the stylistic trajectory of the work through neo-realism and beyond and its influence on Cahiers du Cinéma and the French New Wave, the issues of representation that emerge in later films such as India (1958), and the director’s extensive work for television. The significance of Rossellini’s relationships with Ingrid Bergman and Anna Magnani is discussed. The book also includes a section providing important facts and documents concerning the director.