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The nineteenth century was a remarkable period in art history during which the practices of painting, printmaking and photography intersected in new and unexpected ways. Massive changes in the technology of reproduction took place, and France in particular became a leading testing ground for new printing and photographic techniques. This abundantly illustrated book investigates for the first time the complex and lively interactions between painting, printmaking and photography in France during the 1800s. Cultural historian Stephen Bann explores why rising reproductive media did not supplant traditional modes and how, instead, printmakers, photographers and painters influenced and inspired each other’s work, together creating a visual culture of unique richness and breadth.