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The painter Gerhard Richter (born in 1932) has been heralded both as modernity’s last painter and as painting’s modern savior, seen to represent both the end of painting and its resurrection. Richter works in a variety of styles, from abstraction to a German pop that combines painterly technique and appropriation; his work includes photo paintings, large abstract canvases, and stained glass windows. This collection features writing by prominent critics, including Hal Foster, Gertrud Koch, and Thomas Crow; essays by Rachel Haidu and Johannes Meinhardt and an essay and two interviews with the artist by Benjamin H. D. Buchloh.