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This book opens up the history of twentieth-century French cinema from the silent era to the present day by exploring the key role of gender and sexual politics. A much-needed sequel to Berg’s bestselling -Gender and German Cinema-, the volume tackles such questions as – What role did the female voice play when sound cinema was first developed? How have film genres and movements been shaped by gender and sexual politics? How does gender intersect with factors of race, class, ethnic and national identity? Bringing together original essays by French, British and American scholars, the collection fully covers the development of French cinema. It addresses the work of individual -auteurs-, the French star system, and film genres and movements such as Dadaism and Surrealism, the New Wave and the New New Wave. It also focuses on film narratives in which issues of gender are particularly pertinent.