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Maurice Pianzola, principal curator of the Museum of Art and History of Geneva, is not only by training and choice an art historian, but is also historian ‘tout court’. For this reason the research which he dedicates to Brazilian Baroque Art has a very special value. This work is not merely a catalogue of all the riches of Brazil in this field, for such inventories have already been made, but it intends to be an explanation of situations and events which develop and accompany the evolution of this art.